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olor； and the absolute truth of line； but by the way of much research he has e to doubt the very existence of the objects of his search。 he says； in moments of despondency； that there is no such thing as drawing； and that by means of lines we can only reproduce geometrical figures； but that is overshooting the mark； for by outline and shadow you can reproduce form without any color at all； which shows that our art； like nature； is posed of an infinite number of elements。 drawing gives you the skeleton； the anatomical frame… work； and color puts the life into it； but life without the skeleton is even more inplete than a skeleton without life。 but there is something else truer still； and it is thisf or painters； practise and observation are everything； and when theories and poetical ideas begin to quarrel with the brushes； the end is doubt； as has happened with our good friend； who is half crack…brained enthusiast； half painter。 a sublime painter！ but unlucky for him； he was born to riches； and so he has leisure to follow his fancies。 do not you follow his example！ work！ painters have no business to think； except brush in hand。〃
〃we will find a way into his studio！〃 cried poussin confidently。 he had ceased to heed porbuss remarks。 the other smiled at the young painters enthusiasm； asked him to e to see him again； and they parted。 nicolas poussin went slowly back to the rue de la harpe； and passed the modest hostelry where he was lodging without noticing it。 a feeling of uneasiness prompted him to hurry up the crazy staircase till he reached a room at the top； a quaint； airy recess under the steep； high…pitched roof mon among houses in old paris。 in the one dingy window of the place sat a young girl； who sprang up at once when she heard some one at the door； it was the prompting of love； she had recognized the painters touch on the latch。
〃what is the matter with you？〃 she asked。
〃the matter is。。。 is。。。 oh！ i have felt that i am a painter！ until to…day i have had doubts； but now i believe in myself！ there is the making of a great man in me！ never mind； gillette； we shall be rich and happy！ there is gold at the tips of those brushes〃
he broke off suddenly。 the joy faded from his powerful and earnest face as he pared his vast hopes with his slender resources。 the walls were covered with sketches in chalk on sheets of mon paper。 there were but four canvases in the room。 colors were very costly； and the young painters palette was almost bare。 yet in the midst of his poverty he possessed and was conscious of the possession of inexhaustible treasures of the heart； of a devouring genius equal to all the tasks that lay before him。
he had been brought to paris by a nobleman among his friends； or perchance by the consciousness of his powers； and in paris he had found a mistress； one of those noble and generous souls who choose to suffer by a great mans side； who share his struggles and strive to understand his fancies； accepting their lot of poverty and love as bravely and dauntlessly as other women will set themselves to bear the burden of riches and make a parade of their insensibility。 the smile that stole over gillettes lips filled the garret with golden light； and rivaled the brightness of the sun in heaven。 the sun； moreover； does not always shine in heaven； whereas gillette was always in the garret； absorbed in her passion； occupied by poussins happiness and sorrow； consoling the genius which found an outlet in love before art engrossed it。
〃listen； gillette。 e here。〃
the girl obeyed joyously； and sprang upon the painters knee。 hers was perfect grace and beauty； and the loveliness of spring； she was adorned with all luxuriant fairness of outward form； lighted up by the glow of a fair soul within。
〃oh！ god；〃 he cried； 〃i shall never dare to tell her〃
〃a secret？〃 she cried； 〃i must know it！〃
poussin was absorbed in his dreams。
〃do tell it me！〃
〃gillette。。。 poor beloved heart！。。。〃
〃oh！ do you want something of me？〃
〃yes。〃
〃if you wish me to sit once more for you as i did the other day；〃 she continued with playful petulance； 〃i will never consent to do such a thing again； for your eyes say nothing all the while。 you do not think of me at all； and yet you look at me〃
〃would you rather have me draw another woman？〃
〃perhapsif she were very ugly；〃 she said。
〃well；〃 said poussin gravely； 〃and if； for the sake of my fame to e； if to make me a great painter； you must sit to some one else？〃
〃you may try me；〃 she said； 〃you know quite well that i would not。〃
poussins head sank on her breast； he seemed to be overpowered by some intolerable joy or sorrow。
〃listen；〃 she cried； plucking at the sleeve of poussins threadbare doublet； 〃i told you； nick； that i would lay down my life for you； but i never promised you that i in my lifetime would lay down my love。〃
〃your love？〃 cried the young artist。
〃if i showed myself thus to another； you would love me no longer； and i should feel myself unworthy of you。 obedience to your fancies was a natural and simple thing； was it not？ even against my own will； i am glad and even proud to do thy dear will。 but for another； out upon it！〃
〃forgive me； my gillette；〃 said the painter； falling upon his knees； 〃i would rather be beloved than famous。 you are fairer than success and honors。 there； fling the pencils away； and burn these sketches！ i have made a mistake。 i was meant to love and not to paint。 perish art and all its secrets！〃
gillette looked admiringly at him； in an ecstasy of happiness！ she was triumphant； she felt instinctively that art was laid aside for her sake； and flung like a grain of incense at her feet。
〃yet he is only an old man；〃 poussin continued； 〃for him you would be a woman； and nothing more。 youso perfect！〃
〃i must love you indeed！〃 she cried； ready to sacrifice even loves scruples to the lover who had given up so much for her sake； 〃but i should bring about my own ruin。 ah！ to ruin myself； to lose everything for you！。。。 it is a very glorious thought！ ah！ but you will forget me。 oh i what evil thought is this that has e to you？〃
〃i love you； and yet i thought of it；〃 he said； with something like remorse； 〃am i so base a wretch？〃
〃let us consult père hardouin；〃 she said。
〃no； no！ let it be a secret between us。〃
〃very well； i will do it。 but you must not be there；〃 she said。 〃stay at the door with your dagger in your hand； and if i call； rush in and kill the painter。〃
poussin forgot everything but art。 he held gillette tightly in his arms。
〃he loves me no longer！〃 thought gillette when she was alone。 she repented of her resolution already。
but to these misgivings there soon succeeded a sharper pain； and she strove to banish a hideous thought that arose in her own heart。 it seemed to her that her own love had grown less already； with a vague suspicion that the painter had fallen somewhat in her eyes。
iicatherine lescault
three months after poussin and porbus met； the latter went to see master frenhofer。 the old man had fallen a victim to one of those profound and spontaneous fits of discouragement that are caused； according to medical logicians； by indigestion； flatulence； fever； or enlargement of the spleen； or； if you take the opinion of the spiritualists； by the imperfections of our mortal nature。 the good man had simply overworked himself in putting the finishing touches to his mysterious picture。 he was lounging in a huge carved oak chair； covered with black leather； and did not change his listless attitude； but glanced at porbus like a man who has settled down into low spirits。
〃well； master；〃 said porbus； 〃was the ultramarine bad that you sent for to bruges？ is the new white difficult to grind？ is the oil poor； or are the brushes recalcitrant？〃
〃alas！〃 cried the old man； 〃for a moment i thought that my work was finished； but i am sure that i am mistaken in certain details； and i can not rest until i have cleared my doubts。 i am thinking of traveling。 i am going to turkey； to greece； to asia； in quest of a model； so as to pare my picture with the different living forms of nature。 perhaps；〃 and a smile of contentment stole over his face； 〃perhaps i have nature herself up there。 at times